Blake Dying – Mary Oliver
He lay
with the pearl of his life under the pillow.
Space shone, cool and silvery,
in the empty cupboards
while he heard in the distance, he said,
the angels singing.
Now and again his white wrists
rose a little above the white sheet.
When death is about to happen
does the body grow heavier or lighter?
He felt himself growing heavier.
He felt himself growing lighter.
When a man says he hears angels singing,
he hears angels singing.
When a man says he hears angels singing,
he hears angels singing.

This week on the Influence: Mary Oliver!
I picked this poem up at work while shelving Mary Oliver’s latest book, A Thousand Mornings.
The words stopped me as I shelved. There is simplicity in this poem that is akin to still life painting – but a poet’s take on it. A moment – a dying moment – as still life.
She conjures much with little. From pearl to space to her choices in colors – all of it culminates into the hanging presence of Blake’s hearing angels singing.
There’s not much to do once you get into this kind of moment in a poem but acknowledge it.
Blake’s relationship with the angels takes me back to being 18, sitting in Dana Levin’s Form and Theory class, her introducing a Blake poem, prefacing it by saying This guy saw angels in the trees!
Being, again, 18, I was like – yes, of course, totally – eager to understand and see them too.
Seeing the angels in this poem is another lesson. Oliver’s repetition in the last two couplets – their very emphasis on Blake’s words – drives home to me how all a poet can do is tell what they see, how they see it. And all that’s needed to honor this seeing is to listen.
Happy listening!
Jose
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