In my recent microreview & interview of Hannah Cohen’s Bad Anatomy (Glass Poetry Press), I wrote about recklessness in poetry as being the honesty and nerve involved in trusting language to carry what you mean. My thinking even now is that it’s not enough in poetry to be honest and tell what happened, but to summon the nerve to make art out of it, to reach out and engage with poetic elements like image and metaphor, and suss out the aesthetic possibilities in this meeting between life and art.
Cohen’s Bad Anatomy does this work in every poem. In “Superficial” (below), the work plays out in a narrative that starts with a Google search and ends with a moment of vulnerability and admission. The vulnerability of the initial subject of babies born with their intestines outside their body is pivoted into another kind of vulnerability that is felt by the speaker; for them, this other vulnerability is another thing that is hard to see. Yet, the fact of the poem proclaims that because it is felt, it must be seen.
It is the gift of lyric poetry to provide tools that take us to such places of insight; it is the gift of each poet to let us in on what they make with these tools.
Superficial – Hannah Cohen
Today I learned there are babies
born with their intestines
outside their little baby bellies.
I don’t know how I spent
three hours on Google scrolling through pictures
of guts, viscera, that lucent sac
like God’s after-thought.
What if in some alternate universe,
I had my heart and lungs out
for everyone to see? The kidneys,
the liver poked, judged—hell,
maybe even loved. And you’d be with me
in that world—because you’re not
with me in this world—and I’d let you
touch me. Here, the babies have
their guts shoved back in.
Here, I only see what isn’t
and what isn’t us.
To learn more about Hannah Cohen’s work, check out her site.
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