Some good news: I am happy to report that last Friday, 1/20, I successfully defended my dissertation! This event marks the culmination of four years of effort, doubt, more effort, and study.
After I defended my dissertation, I found myself amidst a crowd protesting the inauguration, which was encouraging, until I saw at the top of the stairs one white student with a BUILD THE WALL poster, and another white student standing there angrily shouting out Trump’s MAGA slogan. I’d had a Skype interview at 9am, then the defense at 10:30am. I was stressed and disoriented, and made my way home in a daze.
The jarring/threatening-vibe continues this week with the executive orders put into place by the new president. There’s also an armed activist (non-student) on campus carrying four guns talking about the second amendment and asking students if he scares them. He’s been here since inauguration day.
What does this have to do with poetry? I share these stories to document what makes up the crucible in which my poems are presently being written in and my life is being led. I look forward to continuing making use of this knowledge and experience (of the PhD, of living in Ohio in 2017) in the service of others. People are made up of a complexity that cannot be simplified or diminished by slogans. Reading and writing poetry, teaching it in the classroom, all of it helps us to read in between the lines.
This week’s poem reflects the work of being “in-between.” The lyric is able to carry various stories via language that moves and challenges the reader to do some of the “walking working” themselves. The poem is at times song and narrative, but always human. By “walking working,” we make meaning out of words; by “walking working,” we persist, resist, and evolve beyond the narratives others would have us live by.
Everyday We Get More Illegal – Juan Felipe Herrera*
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