This week I’m excited to feature the work of friend and dynamic poet, Dimitri Reyes. His recent collection, Every First & Fifteenth (Digging Press), came out earlier this month and is connecting with people on a variety of levels. I have long admired the presence in his work, a presence of honesty and clarity.
This honesty and clarity can be seen in “3rd Generation,” featured below along with a statement from the poet. This poem incorporates presence in terms of naming and switching between languages, in both cases using the necessary words to say what’s needed. Along with that, there is the clarity of experience. When the speaker of this poem states “Our countries are our minds,” it is a clear if heavy truth.
Anybody whose family has a history of immigration and marginalization can attest to the trauma and weight of navigating on a number of planes: the physical, the mental, the emotional, all as much as the linguistic. This navigating means being always switching and performing, questioning one’s self and one’s validity, trying always to figure out who we need to be to fit into a given moment. Much like the title of his collection and its allusion to living check to check, the marginalized experience is one of negotiating what space one finds one’s self in and what one needs to survive. This constant motion wears on a person.
And yet, in the face of this exhaustion, and often because of it, one scratches together a sense of clarity. Our survival is earned not in some vague notion of “earning” associated with bootstraps, but in actual effort and perseverance. Because what is presence if not a kind of perseverance? When the poet states that “Our countries are our minds,” they are acknowledging the multiplicity of existence. Reyes’ ability to articulate and speak to that multiplicity is a gift, one that I am glad to be able to share with you here.
after Marina Carreira’s poem, “First Generation”
We are grass cracked cement.
Dollar store chalk breaking on rough sidewalk.
Dust kissing our jeans when children cross streets
watching out for buses code switching between
careful, bus is turning and
cuidado, autobús están virando.
We are empanadas for breakfast and white rice for dinner.
We are C&C sodas and sunflower seeds
tucked into our Chucks, New Balances, SB Dunks, or Retro 4’s.
Our countries are our minds.
The megapixels of palms, grass, and sands
seen on the walls of barbershops and bodegas come in 4K.
We are change the channel on our IO Triple Play.
We don’t know how to respond to its-your-heritage month
because every month should be our month.
Someone says for what? Our forehead wrinkles in repeat.
For what. What. Qué. For. What. For. Qué?
We is 4K and our last names leave us naked.
We know there are more of us,
never think there are too many of us.
we’re included if we see us in America
until they don’t see us in America.
We are raised by our grandparents
(here or not)
while our parents figure it out.
They are still figuring it out.
We are a part of the same gene pool
until a different one is uncovered.
We are the equivalent
of standing in the wrong line at the DMV
understanding English faster than we forget Spanish
and that still doesn’t license us star spangled freedom.
We are at-the-friend’s-house-with-the-clear-enough-pool
damn, if only we can live in weather like this year round
where that friend reaches across 4 generations to say
we’re not on the island…
I don’t even like the heat.
Short Statement, Dimitri Reyes: 3rd generation means a lot to Every First & Fifteenth because it is a celebratory poem that recognizes the arbitrariness of both the familiar threads of “La Isla” and the learned experiences of “American” English-speaking culture. The intersectionality of these two spaces is where this third “in-between” space (hence, “3rd Generation”) is discovered and explored where the speaker savors language and the different interactions amongst several generations. This poem is the urbanite’s need to learn through community engagement. Though the poem is a mouthpiece of a generation, the individual is aware of the optics of those around him, and therefore has permission to view and express different parts of his landscape with the help of others inhabiting the same space.
Dimitri Reyes is a Puerto Rican multidisciplinary artist, content creator, organizer, and educator from Newark, NJ. He has organized poetry events such as #PoetsforPuertoRico and has read at The Dodge Poetry Festival, Split This Rock, and the American Poetry Museum. His forthcoming book, Every First and Fifteenth won the Digging Press 2020 Chapbook Award. Some of his work is published in Vinyl, Kweli, Entropy, Cosmonauts, Obsidian, & Acentos. He is the Marketing & Communications Director at CavanKerry Press and an Artist-in-Residence with NJPAC.